This early publication experiment forms a methodological foundation for my current work with artist books.

The central theme was to investigate how a loss of control could become an active part of an experimental material inquiry and generate content for further development within an artistic context.

With this working method, the intention was to produce unpredictable and surprising expressions that I could neither have imagined nor drawn in advance. I deliberately sought to allow chance to emerge and participate as an active element in the process. A key objective was to create the conditions for a particular kind of uniqueness in the final result.

In the process, I incorporate external influences as elements that intervene
in and affect the outcome, creating an expression that is in constant transformation. These influences - water, acid, and light - function as uncontrollable and unpredictable factors that operate independently, yet always in interaction with the parameters I can control: colour, colour saturation, time, and layering.